This is the text of a talk I gave at the Newcastle Writers' Festival 2017. My co-speakers on the topic of 'The Getting of Wisdom' were Dr Peter Doherty (The Beginner's Guide to Winning the Nobel Prize') and Monsignor Tony Doherty ('The Attachment'). The session was mediated by Lee Kofman ('The Dangerous Bride').
THE
GETTING OF WISDOM
I am honoured to be speaking today on the ancestral lands of the
Awabakal
people and the Worimi people. I acknowledge the First Australians as the
traditional custodians of the land and the waters. Their cultures are among the
oldest living cultures in history. I pay respect to the Elders, and I extend my
recognition to their descendants.
I want to show you this image. (See the picture above)
This is the tapestry on the seat
of my piano stool. It’s a simple tapestry pattern for the Tree of Knowledge. Or
is it the Tree of Life or the Tree of Wisdom. I won’t stop now to discuss the
distinction between knowledge and wisdom – my purpose in showing you the image
is to tell you a story. In 1981 I went to an auction and bought the stool. It
is charming. Part of its provenance, according to the auction house, is that it
was used in the movie The Getting of Wisdom. I’ve watched the movie at least
three times, and most recently I watched it for the express purpose of seeing
the piano stool in shot. So every time someone sat down at a piano, there I was
with my finger on the pause button, waiting to get a glimpse of the stool. This
did not happen. It seems that piano stools in movies disappear beneath long
dresses. So it’s nice to have the provenance, but the girls might as well have
been sitting on an orange crate.
However, when I sit down to play,
I may be comforted to imagine that I am absorbing wisdom with my bottom.
What I have learned by this
method, sitting on the piano stool playing the odd sonatina, is that science,
spirituality and the arts, including fiction writing, are all concerned in one
way or another with a search for meaning.
My special field is writing
fiction.
One of my fictional characters
bears the name Carrillo Mean, and he turns up in my work from time to time. He
is a prolific writer among whose books are The Mining of Meaning and the
Meaning of Mining. He also has a facebook page called The Wisdom of Carrillo
Mean, but is quite lazy about posting on it. He’s a bit arrogant. So you can
see that I am usually quite conscious that what I am doing when I am creating
fiction is joining in the great human desire to know: Where did it all come
from and where is it all going and why. Wisdom you see. The search for wisdom.
But perhaps it would be wise not to ask those questions. I’m making my project,
my fiction, sound rather lofty and grand. It isn’t though. But it is serious,
although I can never help seeing the funny side of things, so my fiction is
also funny, in a darkish kind of way. Where, you may wonder, is the wisdom in
this?
The quest for meaning, the desire
for wisdom, conducts itself in my head as stories. Human nature is programmed –
if I can use that word – to make up stories and to respond to stories. Human
beings make sense of things perhaps most easily through stories. The writer of
fiction takes up the position of observer, interpreter, and ultimately teller.
No matter how much you observe, how much you interpret – the important thing
generally is to get the story into shape – orally or in print – and tell it to
other people. Perhaps with the accumulation of all the stories in all the
world, wisdom might be attained.
In one of the letters in The
Attachment, Tony writes that Irish people – I think he might mean all people –
value stories next after food, shelter and companionship. I’d go along with
that. Great myths and fairy tales and stories from many different cultures,
including religions, are storehouses of wisdom. And I think much wisdom is
available in the life stories, however short and anecdotal, of other people.
Listening to people is a great doorway to wisdom.
The title of this panel is taken from
the Book of Proverbs 4:7 –
‘Wisdom is the
principal thing; therefore get wisdom:
and with all thy
getting, get understanding.’
What I love about
that verse is the constant use of the uncompromising verb ‘to get’. And Henry
Handel Richardson adopted it in her title for the novel about schooldays. The
Getting of Wisdom – which is somewhat tongue in cheek really, as the main
character only arrives at the very beginning of wisdom by the end of the story.
Of course it emphasizes the importance of experience in childhood as the key to
learning wisdom, and there are examples in both Tony’s and Peter’s books (The
Attachment, The Beginner’s Guide to Winning the Nobel Prize) of vivid childhood
memories which remain with the writers, nourishing their long search for
meaning. And if wisdom comes with experience, Lee’s book
The Dangerous Bride
is a very personal reflection on experience, and carries a lot of hard-won
wisdom.
Lee asked me to give
some indication of how wisdom is approached in my own work. Well in my manual
for writers Dear Writer Revisted there is a suggestion for which I have been
famous since 1988. It is that if you want to be a writer you have to give up
housework. That’s probably the wisest thing I ever said. The other one – it
isn’t in the book – is what I sometimes say to students in workshops – sit down
shut up and write a sentence. Now write another sentence.
Then at the end of a
story of mine – ‘The Woodpecker Toy Fact’ – there’s this:
The night before they
buried my grandmother she came to me as I lay sleeping. She had taken by then
the form of a small blue butterfly. She resembled a forget-me-not. She alighted
on my quilt and smiled at me as she always smiled. And all she said was one word.
She smiled at me and she said “listen”.
Another thing is that
in my novel Family Skeleton there is a comment about death, at the beginning of
every chapter. Such as ‘The afterlife is our true home. It needs good
furniture.’ This may or may not be wise, but it’s a thing.
Anyhow, my main
source of wisdom is probably the piano stool. They really should have shown it
in the movie. Have another little look at it, and marvel.
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